Saturday, September 10, 2016

Making myself at home..and my new home making itself a part of me

Cycling several miles outside of Iowa City, I come upon farmland fairly similar to the landscape of the Shenandoah Valley.

Within the first several weeks of settling Iowa City, I found myself helping to cook pizzas for the celebration at my new church. 

My housemate, Barb, and I after church.

The Iowa City Amateur Radio Club helped me set up my radio station, launching an inverted-v dipole antenna into a backyard tree.

A jolly bunch of HAM Radio operators.

Patients for whom we make dentures are often the most gratitude-filled; one such thankful patient gifted an orchid that now decorates my operatory.

I hosted a Russian dinner to connect with a lovely family in the community.
The spread looked akin to that which my mom might offer...so I would say dinner was a success!
Driving out to Chicago, I enjoyed reconnecting with colleagues from the American Academy of Developmental Medicine and Dentistry. At this year's conference, I facilitated the inaugural Institute in IDD track and was confirmed as Secretary of the organization's Board of Directors.
Exploring Millennium Park with some of the Institute Scholars.

Receiving a gift package from the Richmond CMDA chapter with kind notes reminds me of the phenomenal fellowship that I still have in Virginia.

As I begin my third month of residency in Iowa City, I ponder how I’ve begun to feel at home and what has contributed to this sense of belonging. On a larger scale, I think about the construct of home and how it may be both an expression of and influence for our identity. The context for my thoughts includes the lives of my mother and grandmother, whose 80th birthday will be celebrated in the coming month.

I would have to emphasize connectedness as the cornerstone of defining a sense of home even as I admit that it has been exhausting though rewarding to initiate and foster both professional and community connections for the past 2.5 months. Belonging to a new place in a new way changes the way I introduce myself and reminds me of the bilateral nature of identity and home. Knowing that I will value and enjoy Iowa City as my place of work and life definitively for only 3 years, I find Pico Iyer’s description of home and journeying helpful:


“Their whole life will be spent taking pieces of many different places and putting them together into a stained glass whole. Home for them is really a work in progress, it’s like a project on which they’re constantly adding upgrades, improvements, and corrections.”

“For more and more of us, home has really less to do with a piece of soil than, you could say, with a piece of soul” (person, song, etc)

“When my grandparents were born, they pretty much had their sense of home, their sense of community, even their sense of enmity assigned to them at birth and didn’t have much chance of stepping outside of that. And nowadays some of us have a chance to choose a sense of home, create our sense of community, and fashion our sense of self…and maybe in so doing move beyond some of the black and white divisions of our grandaparents’ age.”

“I’ve always felt that the beauty of being surrounded by the foreign is that it slaps you awake; you can’t take anything for granted. Travel for me is a little bit like being in love, because, suddenly, all of your senses are on the setting marked “on.” Suddenly you’re alert to the secret patterns of the world.”

“The real voyage of discovery consists not in seeing new sights but in looking with new eyes.”
-Marcel Proust

“Where you’ve come from now is much less important than where you’re going.”

“Home is not just the place where you happen to be born. It is the place where you become yourself.”

“The day without technology seemed to stretch for a thousand hours. It was really all the freedom I know when I’m traveling, but it also profoundly felt like coming home.”

“I do think that it is only by stopping movement that you can see where to go. And it is only by stepping out of your life and the world that you can see what you most deeply care about and find a home.”

“Movement is a fantastic privilege…but movement, ultimately, only has a meaning if you have a home to go back to. And home, in the end, is, of course, not just the place where you sleep. It’s the place where you stand [still].”

Iyer’s comments resonate with me particularly because my residential transitions between places of higher education have been bridged with cross-cultural trajectories (Honduras/Peru between university and dental training and India between dental training and residency). With my heritage as an immigrant, I’ve had the privilege of continuously redefining my home (and my identity alongside). After a university experience that emphasized servant leadership in a globally sustainable perspectives centered around the collective good, I certainly identify more as a global citizen rather than a patriot of a region, state, or nation. Even while I value the opportunities I have to visit other lands and experience other cultures, I also recognize the importance of local rootedness and committing to a local place and its people. The exhilarating curiosity that comes with opportunities to venture out and experience new places is always overshadowed by the thrilling comfort of returning to my very own niche of learning and working.

I am thankful for the opportunity to have presented a poster at the IASSIDD World Congress (occurring every 5 years). I don't believe I'd bring myself to venture out to Melbourne, Australia anytime soon were it not for the reason. The concept of frailty assessment for those aging with disabilities also emerged from this international meeting as a lead towards defining my MS thesis project.

I observed a similar tradition in Lithuania where lovers or newlyweds would inscribe their names on a lock, adhere it to a bridge, and toss the keys overboard to signify the permanence of their relationship.

Melbourne cityscape by night.

Rainy winter mornings in Melbourne...perfect for exploration!

The magnitude of Asian heritage in Melbourne caught me by surprise but I suppose the continent is geographically poised to welcome the culture that is closer than Europe or the Americas.

Some important historical figure...

Public restrooms I'm used to...but a baby changing station seems like a brilliant idea!

Laneways (alleys) in downtown Melbourne have a culture of their own with many cafes, shops, and street art galore....not sure if the shoes on a string are also part of the artistic expression.

Findler's Street Station is one of the largest subway stops in the city.
A beautiful Lutheran cathedral was the meeting point for my day-tour.

The cathedral included artwork depicting the Syrian refugee crisis.

Doors to the cathedral.

I opted not to pay to pet the koala (who is not a bear but a marsupial!) but enjoyed watching it contently chew at some leaves.

Kangaroos are a bit smaller on the south side of the continent but are very friendly as visitors in this sanctuary feed them.

Wallabies are smaller cousins of the kangaroo.

I enjoyed taking part in the fun of feeding the wallabies/kangaroos.

A beautiful bird who knows how to pose quite well.

A koala dozing off in tripod secure perch.

A sheep dog and its master demonstrate the art and partnership of rounding up sheep.

A beautiful coastal plantation that is now a historical site.

Plantation garden.

I am not sure how to make sense of the quote...I wonder if slaves or servants lived in the little structure.

Sheep-shearing.

Stunning coastline of the Bass Strait, which I believe is part of the Indian Ocean...that means I've touched 3/5 oceans and 5/7 continents...the remaining two contents (Africa and Antarctica) and oceans (Arctic and Southern) aren't terribly accessible but it's a short list to keep in mind if opportunities arise!

Sandy and windy curves to the shoreline.

Penguins may utilize these shorelines (the little wooden boxes are placed to facilitate nesting).

Photographing the live penguins was not allowed (since the flash may damage their vision, which they use for survival) but a model was shown to demonstrate their petite stature.

Beyond personal traveling experiences, my understanding of home is formed in the context of what home has meant for the generations preceding my existence. Particularly as I prepare for a weekend jaunt to the Shenandoah Valley to celebrate my paternal grandmother’s 80th birthday, I realize that both the purpose of and duty to home has changed for women across the century. Hearing my grandmother describe her childhood in a Soviet communal farm community is intriguing. The stories of her child-rearing years are also fascinating. I enjoyed bridging our stories and common transition to the States in an interview last year (The Secret Gardens—and the culture that hides them). What draws me in more than anything, though, is the ways she describes perceiving and navigating her world as a young woman, educated as an engineer (unlike women preceding her generation) and seeing her husband of several weeks off into a 2-year military service term before settling down upon his return to bear 10 children. My own mother recalls devout letter-writing with my father during his 2-year military service term, after which they married and moved to pastor a church in a rural mining village. Wanting to animate my understanding of my grandmother’s perspective by seeking music from the era of her young-adulthood, I came upon a 1963 film entitled “I’m walking in Moscow/Я шагаю по Москве” that seems to allude to our three narratives (that of my grandmother’s, my mother’s, and perhaps my own).
The plot surrounds three young men anticipating their last summer before 2 years of military service. One anxiously prepares for a wedding (that is nearly called off but is saved by the protagonist). A second falls in love with a record shop clerk, the two for whom the protagonist sets up a date, establishing a long-distance relationship even as they become separated due to the impending military service term. The protagonist seems interested in the experience of romance and relationship that he observes and in which he tangentially participates but is too curious and adventurous yet for the practicality of settling down, though he seems to be content with the reality as a future prospect as reflected in the following verse that he sings while exiting the metro at the end of the film:

А я иду шагаю по Москве,                              And I’m walking through Moscow,
Но в жизни я пройти ещё смогу,                    But in life I’ll still be able to pass
Солёный Тихий океан                                     The salty Pacific Ocean
И тундру, и тайгу.                                           And the tundra and taiga.
Над лодкой белый парус распущу                 Over a boat I’ll spread a white sail
Пока не знаю с кем                                         With whom I know not yet
А если я по дому загрущу                              And if I become homesick
Под снегом я фиалку отыщу                         Under the snow I’ll find a violet
И вспомню о Москве                                     And will remember of Moscow 

The description of the first foil character reminds me of my grandparents’ marriage upon completing their engineering technical training right before my grandfather left for a military service term, after which they had some catching up to do as they had developed apart from one another during the two years. The second foil character’s story makes me think about my parents’ long-distance courting via letter-writing during his navy service as a fairly-committed relationship that led to marriage. Though I am far-removed from the Soviet reality represented in the film and the two generations preceding me, I relate most closely to the narrative of the protagonist who doesn’t disagree with either of his friends’ trajectories but seems content to think about a committed relationship somewhere in the future (and not a fixed concept at that…spreading a sail on a boat that presumably still travels along a body of water even if carrying more than one person). He’s mildly restless due to an organic curiosity that presides his existence, naturally finding ways to be helpful and fulfilled in the city, while remaining confidently hopeful that his life’s odyssey of enriching life experiences is yet to come. He doesn’t deny, however, that homesickness is part of venturing out and takes comfort in the reminder of home (a violet) that can be uncovered just beneath the copious snow of the landscape of his future endeavors. The promise of remembering his home city are what conclude the film as he exits the metro (and presumably finishes his summer to begin military service, which may hold the adventures he aims to embrace).

I’ll venture to claim some of the perspectives embodied by the protagonist, having seen several close friends marry and have children in recent years as well as transitioning out of my childhood home and now state to pursue clinical and academic specialty training (and all the adventures and new experiences that this entails!). Being enriched by my current endeavors, I am content to envision “spreading a sail over a boat” as a future reality that needn’t be hastened. On a day-tour during my visit in Melbourne last month, I was described as “wholesome” within an hour into the tour and “fiercely independent” by mid-day. This blend of promoting/sustaining health and physical/moral well-being with a heartfelt/powerful intensity towards a free-standing self-sufficiency or not being influenced by others/authority is affirming as I center myself around life projects that bring me meaning in the context of the common good. As I continue to develop a sense of belonging in my new place of work and life (and understand how this context becomes a part of my identity in the process), I also honor the heritage that preceded my existence and the cherished signs of my upbringing, as commented by a bystander in Melbourne, that are always just beneath a layer of the busy landscape (like violets under Siberian snow).


The Missouri River

The route to the scenic overlook was washed out and overgrown in parts so that the underside of my Versa got an abrasive plant scrub in several spots.

Lacey and I have been friends since first grade (I sealed our friendship by offering her an orange tic-tac during our first interaction. Her move to South Dakota and mine to Iowa have facilitated maintaining the friendship in person rather than the virtual means we'd relied on when I graduated two years early and pursued dental training in Richmond. It's interesting to see the new and meaningful ways we can relate now that we're both navigating young adulthood.

Visiting the Badlands near Lacey's home was a fun outing to share. 
More of the Badlands.

Amidst a generally flat terrain, it's baffling to consider how such sculpted slopes formed. Some valiant cyclists traverse the scenic route.

The slopes tend to show horizontal similarities in shade of sediment. 
SD may be the largest producer of sunflowers in the US. There are reports of combusting equipment upon harvesting due to the high fat content of the fruit.

Cattle await participation in the Ranch Rodeo.

The 10th Annual Tripp County Ranch Rodeo

Lacey's husband, a rancher by trade, participated in the Ranch Rodeo.

The Ranch Rodeo was a great way to end my Labor Day weekend in South Dakota. I hope to visit my friend a few more times while we're both out in the Mid-West.

Perhaps as a way to tie up the photo-gallery of my travels, I'll offer a thought on extracting meaning from movement:


“The trip gave me some amazing sights, but it’s only sitting still that allows me to turn those into lasting insights” Pico Iyer—the art of stillness